Similar
![[James H. Hackett, full-length portrait, standing, facing slightly left; as Falstaff in King Henry IV]](https://cache.getarchive.net/Prod/thumb/cdn4/L3Bob3RvLzE4NTkvMDEvMDEvamFtZXMtaC1oYWNrZXR0LWZ1bGwtbGVuZ3RoLXBvcnRyYWl0LXN0YW5kaW5nLWZhY2luZy1zbGlnaHRseS1sZWZ0LWFzLWZhbHN0YWZmLTY0MC5qcGc%3D/40/62/webp "[James H. Hackett, full-length portrait, standing, facing slightly left; as Falstaff in King Henry IV]")
Related
St. Matthew, seated on a cloud and dipping a quill into an inkwell held by an angel, who is also holding a scroll, from a series of the four evangelists after Giulio Romano
Summary
Public domain reproduction of Italian art print, free to use, no copyright restrictions image - Picryl description
The Evangelist St. Matthew is one of the four authors of the Gospels in the New Testament often depicted in Christian art with his symbol, the angel. St. Matthew is typically depicted as a bearded man, writing or holding a book, with an angel nearby. The angel symbolizes the divine inspiration that guided St. Matthew as he wrote his Gospel.
Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.
Tags
Date
Source
Copyright info
