Y.M.C.A. car full of beauty, Flanders

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Y.M.C.A. car full of beauty, Flanders

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Four women are sitting in a vintage car with another woman sitting behind the wheel. The women are all well dressed with jackets and hats and are looking at the camera. They seem relaxed but only three of them are smiling: the others look quite severe. It is sunny and there are reflections on the windscreen as a result. The car is sitting in a leafy lane with an open field in the background. The road the car is on, although a dirt track, seems flat and mud and hole free! ..The YMCA is a dedicated youth organisation which works with both male and female members all faiths. During the war, however, 5,145 women worked in YMCA military canteens although it was not until after the Second World War that women were admitted to full membership...[Original reads: 'BRITISH OFFICIAL PHOTOGRAPHS FROM THE WESTERN FRONT - A Y.M.C.A. CAR FULL OF BEAUTY.']..digital.nls.uk/74546854 ( http://digital.nls.uk/74546854 )

The automobile was first invented and perfected in Germany and France in the late 1890s. Americans quickly came to dominate the automotive industry after WWI. Throughout this initial era, the development of automotive technology was rapid. Hundreds of small manufacturers competing to gain the world's attention. Key developments included the electric ignition system, independent suspension, and four-wheel brakes. Transmissions and throttle controls were widely adopted and safety glass also made its debut. Henry Ford perfected mass-production techniques, and Ford, General Motors, and Chrysler emerged as the “Big Three” auto companies by the 1920s. Car manufacturers received enormous orders from the military during World War II, and afterward automobile production in the United States, Europe, and Japan soared.

Stereographs are devices capable of building a three-dimensional​ image out of two photographs that have about two and a half inches difference between them so that it could imitate the two eyes’ real field of view. Combining these images into a single one with the help of stereoscope, a person can experience the illusion of the image’s depth. Stereoscope uses the same principle as in human binocular vision. Our eyes are separated by about two inches, so we see everything from two different angles. When the brain combined those views in a single picture, we get the spatial depth and dimension. Stereographs were extremely popular between 1850 and 1930 all around the world. Millions of stereographs were made during that time. There was a broad range of themes: landscape, travel, historical moments, nature disasters, architecture and many others. Nowadays, simply launch this collection full screen and put your mobile device in Google Cardboard Viewer.

World War I (WWI or WW1), also known as the First World War, or the Great War, was a global war centred in Europe that began on 28 July 1914 and lasted until 11 November 1918. World War I Images From National Library of Schotland. These photographs form part of the papers of Field Marshal (Earl) Haig (1861-1928), held by the National Library of Scotland. More information is available from the Library's Digital Archive. Like many World War I generals, Haig remains a controversial figure. The collection contains diaries, papers and photographs from every part of Haig’s career, the Great War diaries being of special importance to historians. Photographs in the "Official Photographs" series (which were destined for publication and have captions on the back describing the image) are in black-and-white. World War I saw the development of a system of 'official’ reporting by professionals especially recruited into the forces. Initially reluctant to allow cameras near the fighting, it took some time for the authorities to appreciate the propaganda and recording potential of photography. These photographs provide us with an invaluable record of how the Government and Military wanted the war perceived. Official photographers were encouraged to record morale-boosting scenes of victory and comradeship. Despite the restrictions placed on them, official war photographers succeeded in giving the most comprehensive visual account of the war. It is important to remember that these images were propaganda; few that could depict the war in a disheartening or disconcerting way passed the censors. As a result the photograph taken was often posed. They were intended to reassure those at home and boost morale. They were printed in newspapers, and were intended to confirm that 'Tommy' was winning the war.

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1914
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National Library of Scotland
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