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A frieze arrangement depcting the Triumph of Love; Cupid in a Chariot led by goats, many other putt filling the composition

description

Summary

Forms a pair with 49.97.335.

Master of the Die (Italian, active Rome, ca. 1530–60)

Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.

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master of the die engraving prints after raphael frieze arrangement frieze arrangement triumph love cupid chariot goats putt composition 16th century italian art high resolution ultra high resolution renaissance art italian renaissance metropolitan museum of art medieval art apennine peninsula
date_range

Date

1530 - 1559
collections

in collections

Italian Prints

Set of random Italian prints from NYPL collection
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Source

Metropolitan Museum of Art
link

Link

http://www.metmuseum.org/
copyright

Copyright info

Public Domain Dedication (CC0)

label_outline Explore Putt, Master Of The Die, After Raphael

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master of the die engraving prints after raphael frieze arrangement frieze arrangement triumph love cupid chariot goats putt composition 16th century italian art high resolution ultra high resolution renaissance art italian renaissance metropolitan museum of art medieval art apennine peninsula