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Summary
Deutsch: Erzählt wird die Heilung eines Besessenen mit mit der Kreuzreliquie durch Francesco Querini, Patriarch von GradoEnglish: subject is the healing of a man possessed performed by Francesco Querini, the Patriarch of Grado, through the intercession of the relic of the Holy Cross in his palace at the Rialto, in the upper left part of the picture and takes place in the loggia of the palace. The bridge depicted is the one built in 1458.Français : Le sujet est la guérison d'un homme possédé, par le Patriarche de Grado, Francesco Querini, grâce à l'intercession de la relique de la Sainte Croix dans son palais du Rialto. Le miracle a lieu dans la partie supérieure gauche du tableau dans la loggia. Le pont représenté est celui construit en bois en 1458.Italiano : Soggetto è la guarigione di un uomo posseduto eseguito da Francesco Querini, Patriarca di Grado, attraverso l'intercessione della reliquia della Santa Croce nel suo palazzo al Rialto, nella parte superiore sinistra dell'immagine e si svolge nella loggia di il Palazzo. Il ponte raffigurato è quello costruito nel 1458.
Vittore Carpaccio, Miracle of the Relic of the Cross at the Ponte di Rialto, c. 1496
Vittore Carpaccio was an Italian Renaissance painter known for his vivid depictions of Venetian life and landscapes. He was born in Venice, where he studied under the painter Lazzaro Bastiani. Carpaccio's early works were mostly religious in nature, but he later became known for his secular scenes, particularly those depicting the daily life of Venetians. Carpaccio was influenced by the work of other Venetian painters such as Giovanni Bellini and Gentile Bellini. His style is characterised by the use of bright colours and attention to detail, particularly in the depiction of clothing and architecture. Carpaccio's most famous works include a series of paintings depicting the life of Saint Ursula and scenes from the life of Saint George. He also painted several portraits, including one of the Doge of Venice, Agostino Barbarigo. Carpaccio's work was a major influence on later Venetian painters, including Titian and Tintoretto. He died in Venice around 1525, but his legacy lives on in his vivid and detailed depictions of Venetian life.