Similar
Mosaics of the Church of the Theotokos 2
Design drawing for stained glass window with Bible and ChristGod's hand bent in blessingPantocrator position
Luc-Olivier Merson - Esquisse pour l'escalier des Fêtes de l'Hôtel de Ville de Paris , Le Chant - PPP4134 - Musée des Beaux-Arts de la ville de Paris
Design drawing for stained glass window with colorful mosaic-scale panes with small Christian figures and symbols emerging; Baptism of Christ at center
Dmitriy-stelletskiy-8 - Public domain dedication image
[Design drawing for stained glass window showing St. John with eagle, snake, and chalice symbols; and text "And I Saw a New Heaven and a New Earth"]
Design drawing for stained glass window with Twelve Apostles
Angels and Jesus Christ (Dormition Church at Kondopoga)
Design drawing for stained glass window with pyramids, palms, lotus, and fish with text "Out of Egypt have I called my Son"
Related
Monkcopyistwoodcut - Public domain dedication image
Krizaci neverici - Public domain dedication image
Hulagu And Dokuz Kathun - Public domain dedication image
Public Domain Images - Ascending pharyngeal
Victimae paschali laudes - Public domain dedication image
Schect - Public domain dedication image
Section of stockade ohaeawai - Public domain dedication image
Cryptic runes - Public domain dedication image
Agracija - Public domain dedication image
Akra Tapeinosis - Public domain dedication image
Summary
Mosaic Icon with the Akra Tapeinosis (Utmost Humiliation), or Man of Sorrows. Mosaic icon, Byzantine, late 13th–early 14th century; icon of Saint Catherine (reverse), late 13th–early 14th century; case, late 14th–17th century1. Mosaic icon, various colored stones, silver, and gold on wood; case, wood, metal, paper identification and silk wrappings for the relics; icon 13 x 19 cm (5 1/8 x 7 1/2 in.) without frame, 23 x 28 cm (9 x 11 in.) with silver frame; case 98.7 x 97.1 cm (38 7/8 x 38 1/4 in.) open, 98.7 x 62.4 cm (38 7/8 x 24 5/8 in.) closed. Basilica di Santa Croce in Gerusalemme, Rome (89).
Byzantine architectural and visual style was a style that existed with remarkable homogeneity within the Eastern Roman empire between the 6th century and until the capture of Constantinople by the Turks in 1453. The Byzantine style's presence extended to Greece. Through Venetians, who became Constantinople's archrivals, it spread to Italy, and Sicily, where it persisted almost intact through the 12th century and became a foundation for the Italian Renaissance. Preserved by the Eastern Orthodox church, the Byzantine style spread to eastern Europe, the Balkans, and particularly to Russia, where it remained, with little or no local modification, through the 17th century. Byzantine architecture and painting remained uniform in tradition rather than changed with time and personal expression. The result is a sophistication of style and spiritual expression not paralleled in Western art. As with all large Picryl collections, this one is made with the assistance of AI image recognition. It allows collections of sizes never seen before. We do our best to clean after AI as it is based solely on visual resemblance and we apologize if we missed a few images in the collection that do not belong to the Byzantine style.
- File:Akra Tapeinosis.jpg - Wikimedia Commons
- . English: Mosaic Icon with the Akra Tapeinosis (Utmost Humiliation ...
- Akra Tapeinosis - Public domain dedication image - Collections
- 24 5 19 5 cm hi-res stock photography and images - Alamy
- 6 Byzantine icons, Orthodox faith Images - Collections - GetArchive
- Various colored stones hi-res stock photography and images - Alamy
- 13 Byzantine icons Images: PICRYL - Collections - GetArchive
- Wood case hi-res stock photography and images - Alamy
- Christ in the Ablative: Botticelli's 'Man of Sorrows' - Sotheby's
- Three Christological Devotions, Part 1: Wounds