Similar
Crispijn van de Passe I - Apollo achtervolgt Daphne
Oude man leunend op stok en gebarende jonge dikke man
Jupiter-europe - A black and white drawing of a group of people
Apollo achtervolgt Daphne - Drawing. Public domain image.
Crispijn van de Passe II - Apollo doodt Coronis
Fishing for Crayfish (Les pecheurs d'ecrevisses)
Le imagini de gli dei de gli antichi del signor Vincenzo Cartari, reggiano - nelle quali sono descritte la religione de gli antichi, li idoli, riti and ceremonie loro et con l'espositione in epilogo (14769563803)
Diana ontdekt de zwangerschap van Callisto
The Traveler Ignored by a Priest and a Levite
Related
Battle of the Sea Gods, with Envy (Invidia) on the Left
Hendrick Goltzius - Le martyre de saint Thomas
Andrea Mantegna - Design of Rinceaux.
The Battle of the Sea Gods (Left portion of a frieze)
The Battle of the Sea Gods (Left portion of a frieze)
The Battle of the Sea Gods (Left portion of a frieze)
Battle of the Sea-Gods (right half)
Battle of the Sea-Gods (right half)
Battle of Sea-Gods, Left Half of a Frieze
Battle of the Sea Gods (Right portion of a frieze)
Summary
Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua)
Public domain scan of 14th-century print, drawing, free to use, no copyright restrictions image - Picryl description
Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.
Early Renaissance or Quattrocento (Italian mille quattrocento, or 1400) refers to the 15th century in Florentine art. Extraordinary wealth was accumulated in Florence among a growing middle and upper class of merchants and bankers. Florence saw itself as a city-state where the freedom of the individual was guaranteed, and where a significant share of residents had the right to participate in the government. In 1400 Florence was engaged in a struggle with the Duke of Milan. Then, between 1408 and 1414 again, by the King of Naples. Both died before they could conquer Florence. In 1425 Florence won the war against Milan. The Florentine interpreted these victories as signs of God's favor and imagined themselves as the "New Rome". In this new optimistic and wealthy environment, Florentine artists immersed themselves in studies of the humanities, architecture, philosophy, theology, mathematics, science, and design. They spurred a rejuvenation of the glories of classical art in line with the humanistic and individualistic tendencies of the contemporary era. Quattrocento was followed by the High Renaissance, North European Renaissance, Mannerism, and Baroque periods. Unlike the previous proto-renaissances, the innovations that emerged in Florence would go on to cause reverberations in Italy and Northern Europe, which continue to influence culture until today.
- Andrea Mantegna | Battle of the Sea Gods (right portion of frieze)
- Battle of the sea gods: right half of a frieze : Andrea Mantegna | NGV
- Battle of the Sea Gods: Right Half of a Frieze
- Results for "Andrea Mantegna" - The Metropolitan Museum of Art
- Results for "Mantegna" - The Metropolitan Museum of Art
- Battle of the sea gods: right half of the frieze - NGV
- Results for "Circle of Andrea Mantegna" - The Metropolitan Museum ...
- File:Battle of the Sea Gods (Right portion of a frieze) MET DP821759 ...
- Author: Andrea Mantegna. Battle of Sea-Gods, Left Half of a Frieze
- Battle of the Sea Gods - right portion, c. 1485-88. Andrea Mantegna ...