Brockhaus and Efron Encyclopedic Dictionary b12 804-1
Summary
Русский: Водоросли III. Водоросли (хромолитография). Иллюстрация из энциклопедического словаря Брокгауза и Ефрона (1890—1907).
Примечание. Описания изображений были загружены автоматически, возможны неточности. Рекомендуется проверять.
English: Illustration from Brockhaus and Efron Encyclopedic Dictionary (1890—1907)
1. Macrocystis pyrifera
2. Nereocystis Lütkeana = Nereocystis luetkeana
3. Nereocystis Lütkeana (особь помоложе)
4. Alaria fistulosa = Eualaria fistulosa
5. Alaria esculenta
6. Laminaria Bongardiana = Saccharina bongardiana
7. Laminaria saccharina = Saccharina latissima
8. Laminaria digitata
9. Constantinea Rosa marina = Constantinea rosa-marina
10. Odonthalia Gmelini = Odonthalia corymbifera
11. Iridæa Mertensiana = Turnerella mertensiana
12. Dumontia Hydrophora = Halosaccion hydrophorum
13. Porphyra pertusa = Sparlingia pertusa
14-15. Thalassopliyllum Clathrus (crispum) = Agarum clathrus
16. Costaria Turneri = Costaria costata
17. Fucus vesiculosus
18. Halymenia palmata = Palmaria palmata
19. Agarum Gmelini = Agarum clathratum
20. Desmarestia intermedia.
This large AI-assisted collection comprises about 60,000 images of botanical drawings and illustrations. It spans from the 14th to 19th century. As of today, we estimate the total number of botanical illustrations in our archive as 200,000 and growing. The "golden age" of botanical illustration is generally considered to be the 18th and 19th centuries, a time when there was a great deal of interest in botany and a proliferation of botanical illustrations being produced. During this period, many of the great botanical illustrators of the time, such as Maria Sybilla Merian, Pierre-Joseph Redouté, and John James Audubon, were active and produced some of the most iconic and influential botanical illustrations of all time. In addition to being used for scientific purposes, botanical illustrations were also highly prized for their beauty and were often used to decorate homes and other public spaces. Many of the most famous botanical illustrations from this period are still admired and collected today for their beauty and historical significance. All large Picryl collections were made possible with the development of neural image recognition. We made our best to reduce false-positive image recognition to under 5%.
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