Similar
Monticelli - Repos dans le bois, A 2286
CABANONS AU CANNET - A painting of a field with a barn in the background
Nagy Landscape C - A painting of a farm with a barn in the background
Aaron Draper Shattuck Landscape, 1864
Robert Antoine Pinchon, c. 1905, Hameau des environs de Rouen, oil on canvas, monogram lower left, 22 x 33 cm
Henry Moret landscape with man
Horton WT - The Dome 3 - Drawing. Public domain image.
Břetislav Bartoš (1893-1926) - letní krajina
Lerbäck Church, Närke, Sweden (15473101047)
Related
Decorative Landscape II (Jan Verkade) - Nationalmuseum - 19109
Reclining Venus - Nationalmuseum - 19089
Sculpture - Nationalmuseum - 19040
Nativity - Nationalmuseum - 19094
Resting Sheperds - Nationalmuseum - 19069
The Outermost Skerries (Otto Sinding) - Nationalmuseum - 18525
Spring Landscape (Victor Forssell) - Nationalmuseum - 19520
The Conception of the Virgin - Nationalmuseum - 19126
Heroic Landscape (Carracciernas skola) - Nationalmuseum - 19051
Decorative Landscape I (Jan Verkade) - Nationalmuseum - 19108
Summary
Public domain scan of a decorated illuminated manuscript page, medieval, 13th-14th century, free to use, no copyright restrictions - Picryl description
A disciple of Paul Gauguin and friend of Paul Sérusier, he belonged to the circle of artists known as 'Les Nabis.' Of a Dutch anabaptist background, his artistic and spiritual journey led him to convert to Roman Catholicism, and to take Holy Orders as a Benedictine monk, taking the religious name Willibrord. He entered the Archabbey of Beuron and continued his work in a religious context, working closely with Desiderius Lenz, leader of the Beuron Art School. He worked throughout Europe and had an important influence on the continuing development of the new Benedictine Art.