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Etienne Bosch - Dogepaleis in Venetië

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Summary

Zicht op de Porta della Carta van het Dogepaleis in Venetië. Op de poort een sculptuur van de evangelist Marcus en een gevleugelde leeuw.

Since the 16th century, Dutch artists used prints to promote their art and access a wider public than what was possible for a single painting. During the Dutch Golden Age, (17th century), Dutch artists perfected the techniques of etching and engraving. The rise of printmaking in the Netherlands is attributed to a connection between Italy and the Netherlands during the 1500s. Together with the large-scale production, it allowed the expanding reach of an artist’s work. Prints were popular as collecting items, so publishing houses commissioned artists to create a drawing or a painting, and then print the work for collectors - similar to what occurs at publishing houses today. Dutch printmaking evolved rapidly, so in 16th-century etching prevailed over the engraving. Major Dutch Printmaker Artists: Hieronymus Bosch, Pieter Bruegel the Elder, Hendrick Goltzius, Rembrandt van Rijn, Anna Maria van Schurman, Adriaen Jansz van Ostade, Ferdinand Bol.

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Tags

prints paper etching etienne bosch high resolution lion apostles christianity evangelist new testament venice italy venice portal architectural elements rijksmuseum italian art
date_range

Date

1873 - 1931
collections

in collections

Dutch Master Prints

Dutch engravers and etchers of 15th-17th centuries.
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Source

Rijksmuseum
link

Link

https://www.rijksmuseum.nl/
copyright

Copyright info

Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")

label_outline Explore Etienne Bosch, Venice Italy, Evangelist

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prints paper etching etienne bosch high resolution lion apostles christianity evangelist new testament venice italy venice portal architectural elements rijksmuseum italian art