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First annual picnic of the "Knights of Labor" - more fun for the spectators than for the performers / J. Keppler.

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Summary

Print shows Jay Gould, William H. Vanderbilt, Cyrus Field, Russell Sage, and John Roach riding in a carriage past a crowd of laborers labeled "Knights of Labor" and "Pittsburg Free Strikers" who are watching a man labeled "Workingman" trying to climb a "Greased" pole carrying a child on his back and with a woman and child hanging from his belt. The pole is greased with "Monopoly Grease", at top are "Higher Wages, Bread, Tobacco, Wine, [and] Ham". The view from the pole shows factories in the middle distance and the "Roach Monopolist Ship Builder" facility in the background.

Illus. from Puck, v. 11, no. 276, (1882 June 21), centerfold.

Copyright 1882 by Keppler & Schwarzmann.

It wasn't really until the 1700s that caricature truly blossomed as a form of political criticism. In the late 1750s, a man named Thomas Townshend began using the techniques employed by earlier engravers and applying them towards a political model. This gave Thompson's cartoons a much greater feeling of propaganda than previous artistic critiques of the time. The intense political climate of the period, and often accusatory nature of most political cartoons forced many artists to use pseudonyms in order to avoid accusations of libel. Other artists took it a step farther, and left their cartoons completely unsigned, foregoing any credit they may have received. Political higher-ups were notoriously touchy about their reputations and were not afraid to make examples of offenders. Puck was the first successful humor magazine in the United States of colorful cartoons, caricatures and political satire of the issues of the day. It was published from 1871 until 1918.

Alois Senefelder, the inventor of lithography, introduced the subject of colored lithography in 1818. Printers in other countries, such as France and England, were also started producing color prints. The first American chromolithograph—a portrait of Reverend F. W. P. Greenwood—was created by William Sharp in 1840. Chromolithographs became so popular in American culture that the era has been labeled as "chromo civilization". During the Victorian times, chromolithographs populated children's and fine arts publications, as well as advertising art, in trade cards, labels, and posters. They were also used for advertisements, popular prints, and medical or scientific books.

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gould jay vanderbilt william h william henry field cyrus w cyrus west sage russell roach john capitalists and financiers monopolies corruption laborers wages cost and standard of living social classes cartoons commentary chromolithographs color periodical illustrations picnic knights labor fun spectators performers keppler political cartoons vintage images prints child 19th century joseph ferdinand keppler ultra high resolution high resolution guilded age picnics library of congress
date_range

Date

01/01/1882
person

Contributors

Keppler, Joseph Ferdinand, 1838-1894, artist
collections

in collections

The Golden Age of Political Cartoons

British and American political cartoons from 18th century.

Chromolithographs

Chromolithograph is printed by multiple applications of lithographic stones, each using a different color ink.
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Source

Library of Congress
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Link

http://www.loc.gov/
copyright

Copyright info

No known restrictions on publication.

label_outline Explore Roach John, Sage Russell, Field Cyrus W

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[Assignment: 59-CF-DS-11872A-04] Reception at Harry S. Truman Building for actress Angelina Jolie, greeted by Department officials and staff [including Secretary Colin Powell, Under Secretary for Global Affairs Paula Dobriansky, and Secretary's Open Forum Chairman William Keppler. Jolie participated in Open Forum panel discussion of the documentary film that she narrated, "Trading Women," an investigation of Southeast Asian sex trafficking.] [Photographer: Ann Thomas--State] [59-CF-DS-11872A-04_DSC_0060.JPG]

This time I'll cook my goose for sure

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Thomas L. James, the man who stamped out the Star Route swindle / J. Keppler.

[Assignment: 59-CF-DS-11872A-04] Reception at Harry S. Truman Building for actress Angelina Jolie, greeted by Department officials and staff [including Secretary Colin Powell, Under Secretary for Global Affairs Paula Dobriansky, and Secretary's Open Forum Chairman William Keppler. Jolie participated in Open Forum panel discussion of the documentary film that she narrated, "Trading Women," an investigation of Southeast Asian sex trafficking.] [Photographer: Ann Thomas--State] [59-CF-DS-11872A-04_DSC_0026.JPG]

In the name of labor / Kep. - Political cartoon, public domain image

The allies under the new flag - the Republicans and the monopolists train their guns on the workingmen / Gillam.

Three monuments / F. Graetz. - Political cartoon, public domain image

Jack Phillips, a nine-year-old fiddling prodigy, joins older performers in the Cowtown Opry in the Stockyards District of Fort Worth, Texas

Topics

gould jay vanderbilt william h william henry field cyrus w cyrus west sage russell roach john capitalists and financiers monopolies corruption laborers wages cost and standard of living social classes cartoons commentary chromolithographs color periodical illustrations picnic knights labor fun spectators performers keppler political cartoons vintage images prints child 19th century joseph ferdinand keppler ultra high resolution high resolution guilded age picnics library of congress