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Five men fighting beasts, at lower left is a fallen boar
Related
Five men fighting beasts, at lower left is a fallen boar
Five men fighting beasts, at lower left is a fallen boar
Five men fighting beasts, at lower left is a fallen boar
Five men fighting beasts, at lower left is a fallen boar
Five men fighting beasts, at lower left is a fallen boar
Five men fighting beasts, at lower left is a fallen boar
Five men fighting beasts, at lower left is a fallen boar
Five men fighting beasts, at lower left is a fallen boar
Master of the Die - Giulio Romano - Five Men Fighting Beasts
Five men fighting beasts, at lower left is a fallen boar
Summary
Master of the Die (Italian, active Rome, ca. 1530–60)
Public domain scan of Italian 15th-16th-century print, free to use, no copyright restrictions image - Picryl description
Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.
- Five men fighting beasts, at lower left is a fallen boar
- Five men fighting beasts, at lower left is a fallen boar
- Five men fighting beasts, at lower left is a fallen boar
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Tags
giulio romano
master of the die
engraving
prints
after giulio romano
men
five men
beasts
boar
16th century
italian art
high resolution
ultra high resolution
renaissance art
italian renaissance
mannerism
late renaissance
metropolitan museum of art
medieval art
apennine peninsula
Date
1532
in collections
Source
Metropolitan Museum of Art
Link
Copyright info
Public Domain Dedication (CC0)