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Frontispiece from 'Fiesole Destroyed' ('Fiesole Distrutta'), two seated women, one wearing a laurel wreath and the other wearing a hat crowned with laurel, with the Medici arms and the crown of the grand duchy above

Frontispiece from 'Fiesole Destroyed' ('Fiesole Distrutta'), two seated women, one wearing a laurel wreath and the other wearing a hat crowned with laurel, with the Medici arms and the crown of the grand duchy above

La Dame a la Grande Collerette et a la Coiffe Retombant en Arrière (The Lady with the Large Collar and a Headdress that Falls to the Back), from La Noblesse (The Nobility)

Copy of La Dame a la Grande Collerette et a la Coiffe Retombant en Arrière (The Lady with the Large Collar and a Headdress that Falls to the Back), from La Noblesse (The Nobility)

La Dame Coiffée d'un Grand Voile et a la Robe Bordée de Fourrures (The Lady with a Large Veil and with a Fur-Lined Robe), from La Noblesse (The Nobility)

Frontispiece for 'Instructions for Chancellors' (Instruzione a' Cancellieri): Medici coat of arms at top center, below two allegorical females, between them a dove holding olive branches in its mouth, Florentine landscape at bottom center

Seated Woman, Facing Left and Wearing a Cap, with her Arm Slung over the Back of a Chair Left

Half Figure of a Youth with Outstretched Left Arm and Bowed Head (recto); Two Women, One Holding a Vase, the Other a Book, and a Seated Man (verso)

Half Figure of a Youth with Outstretched Left Arm and Bowed Head (recto); Two Women, One Holding a Vase, the Other a Book, and a Seated Man (verso)

Frontispiece from 'Fiesole Destroyed' ('Fiesole Distrutta'), two seated women, one wearing a laurel wreath and the other wearing a hat crowned with laurel, with the Medici arms and the crown of the grand duchy above

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Public domain scan of 17th-18th century French print, free to use, no copyright restrictions image - Picryl description

Jacques Callot was born in Nancy, Lorraine, now France. He came from an aristocratic family and he writes about his noble status in his print inscriptions. He learned engraving in Rome from an expatriate Frenchman, Philippe Thomassin, and probably, from Antonio Tempesta in Florence where he started to work for the Medici. In 1621, he returned to Nancy where he lived for the rest of his life. Although he remained in Nancy, his prints were distributed through Europe. He developed several technical innovations that enabled etching lines to be etched more smoothly and deeply. Now etchers could do the very detailed work that was previously the monopoly of engravers, and Callot made good use of the new techniques. His multiple innovations also achieved unprecedented subtlety in the effects of distance and light even his prints were relatively small – as much as about six inches or 15 cm on their longest dimension. His most famous prints are his two series of prints each on "the Miseries and Misfortunes of War". These images show soldiers pillaging and burning their way through towns before being arrested and executed by their superiors, lynched by peasants, or surviving to live as crippled beggars.

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jacques callot etching prints frontispiece fiesole destroyed and fiesole destroyed and distrutta and fiesole distrutta and women laurel wreath laurel wreath hat medici arms medici arms crown duchy 17th century french art high resolution ultra high resolution house of medici duchy of lorraine french metropolitan museum of art
date_range

Date

1619
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in collections

Jacques Callot

Jacques Callot, baroque printmaker and draftsman from the Duchy of Lorraine.
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Source

Metropolitan Museum of Art
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Link

http://www.metmuseum.org/
copyright

Copyright info

Public Domain Dedication (CC0)

label_outline Explore Medici Arms, Duchy, Fiesole

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jacques callot etching prints frontispiece fiesole destroyed and fiesole destroyed and distrutta and fiesole distrutta and women laurel wreath laurel wreath hat medici arms medici arms crown duchy 17th century french art high resolution ultra high resolution house of medici duchy of lorraine french metropolitan museum of art