visibility Similar

code Related

Instruments of Human Sustenance (Humani Victus Instrumenta): Agriculture

description

Summary

Public domain image of a 16th-17th-century print, mannerism, free to use, no copyright restrictions - Picryl description

Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.

Giuseppe Arcimboldo (1527–1593) was an Italian painter famous for his extravagant paintings of human faces in the form of compositions of fruit and vegetables, often with portrait likenesses. The forgotten Renaissance artist was proclaimed in the twentieth century as a forerunner of Surrealism. This suggests that the artist was well ahead of his time and deserves to be known not only by specialists but also by the general public.

label_outline

Tags

giuseppe arcimboldo giovanni francesco camocio giacomo dini engraving prints giuseppe arcimboldo 1527 1593 giacomo dini 1552 1574 humani victus instrumenta human sustenance tools and equipment men the elisha whittelsey collection the elisha whittelsey fund in the manner of the circle of giuseppe arcimboldo instruments human sustenance humani victus instrumenta agriculture 16th century italian art high resolution ultra high resolution late renaissance mannerism metropolitan museum of art medieval art italian renaissance apennine peninsula italy
date_range

Date

1000 - 1500
collections

in collections

Italian Prints

Set of random Italian prints from NYPL collection

Giuseppe Arcimboldo (1527–1593)

An Italian painter who is best known for creating imaginative portrait heads made entirely out of objects such as fruits, vegetables, flowers, fish, and books.
create

Source

Metropolitan Museum of Art
link

Link

https://www.metmuseum.org/
copyright

Copyright info

Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")

label_outline Explore Giuseppe Arcimboldo 1527 1593, Sustenance, Humani

After Dinner, Thomas Rowlandson. Georgian era 1714 - 1737

Portrait of C.-F. du Perier Dumouriez

Polidoro da Caravaggio, ca 1495-1543 - Nationalmuseum - 39580

Un an de la vie d'un jeune homme: Histoire véritable en 17 Chapitres, Ecrits par lui-même et Lithographiés par Victor Adam (A Year in the Life of a Young Man: A True Story in 17 Chapters, Written by Himself and Lithographed by Victor Adam)

Reconciliation, or the Return from Scotland, Thomas Rowlandson

Plate 19: Cacasenno riding a horse backwards, from "Bertoldo, Bertoldino, and Cacasenno"

George Moutard Woodward - Le Brun Travested, or Caricatures of the Passions

George Moutard Woodward - Footman, Thomas Rowlandson

Pallas Athena standing on a globe, a spear in her left hand, a shield in her right

Nail, bronze, Greek and Roman art

Lycei musici theorico-practici intimatio et epitome Latino-Germanica, hoc est: Explicatio tredecim divisionum monochordi, earumq[ue] ad veteris & novæ musicæ jucundam & scientificam cognitionem ac collationem, & in genere ad usum theorico-practicm componistarum, cantorum & organopœorum accommodatio = Kurtzes musicalisches Kunstbüchlein in welchem auss Erklärung vnd Abtheilung dess Monchordi der rechte Grund so wol die alte bissher unbekandte als heutige Musicam gründlich zu verstehen und künstlich im Componirn und Musicirn anzubringen und zu üben, auch Orgelpfeiffen auss solchen und der Geometriæ fundamentis in gute Proportion zu bringen, und so wol als andere Instrumenta zu stimmen gewiesen wird

Lycei musici theorico-practici intimatio et epitome Latino-Germanica, hoc est: Explicatio tredecim divisionum monochordi, earumq[ue] ad veteris & novæ musicæ jucundam & scientificam cognitionem ac collationem, & in genere ad usum theorico-practicm componistarum, cantorum & organopœorum accommodatio = Kurtzes musicalisches Kunstbüchlein in welchem auss Erklärung vnd Abtheilung dess Monchordi der rechte Grund so wol die alte bissher unbekandte als heutige Musicam gründlich zu verstehen und künstlich im Componirn und Musicirn anzubringen und zu üben, auch Orgelpfeiffen auss solchen und der Geometriæ fundamentis in gute Proportion zu bringen, und so wol als andere Instrumenta zu stimmen gewiesen wird

Topics

giuseppe arcimboldo giovanni francesco camocio giacomo dini engraving prints giuseppe arcimboldo 1527 1593 giacomo dini 1552 1574 humani victus instrumenta human sustenance tools and equipment men the elisha whittelsey collection the elisha whittelsey fund in the manner of the circle of giuseppe arcimboldo instruments human sustenance humani victus instrumenta agriculture 16th century italian art high resolution ultra high resolution late renaissance mannerism metropolitan museum of art medieval art italian renaissance apennine peninsula italy