Kindermoord te Betlehem, Marco Dente

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HOWARD(1828-33) Shakspeare, All's Well That Ends Well, vol2, p135

Enea Vico - Huwelijk - Engraving, Public domain image

Grote rots - Rijksmuseum public domain dedication

Zwijgzaamheid en Spraakzaamheid

Collectie NMvWereldculturen, RV-1403-3648, Potloodtekening- Tekening, Mr Adrianus Johannes Bik, voor 1872

Design for a Processional Float, anonymous Roman-Bolognese

Print (Germany) (CH 18242669) - Public domain monumental decor print

Chinese Demon Exorcisor, scroll painting

Alcobaca.mosteiro.1750 - Public domain historic place engraving

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Margot, the court shoemaker's child,

Gezicht op een binnenplaats van een paleis waar wanhopige moeders proberen hun kinderen te beschermen tegen de soldaten van Herodes. Op de voorgrond drie vrouwen treurend bij de dode lichamen van hun kinderen.

More: Italian Prints

Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.

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prints paper engraving marco dente kindermoord te betlehem high resolution bodies women view palace soldiers children king of israel biblical scenes king herod herod new testament israel nativity massacre of the innocents biblical events mother woman italian betlehem courtyard italian art rijksmuseum

1427 - 1527

Italian Prints

Set of random Italian prints from NYPL collection

Rijksmuseum

https://www.rijksmuseum.nl/

Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")