Michel-Jean Cazabon - Maraccas Waterfall - B1975.3.313 - Yale Center for British Art

Michel-Jean Cazabon (1813–1888) has a special place in the hearts of Trinidadians, for a number of reasons, but not all of them are grounded in fact. Cazabon is often described as “Trinidad’s nineteenth-century artist,” an expression that suggests he was one of a kind. He’s considered a pioneer, and indeed in some respects he was. Even more importantly, we think of Cazabon as one of us. He was a Trinidadian, of mixed race, and his work evokes pride and nostalgia and a sense of pleasing familiarity. We know and recognise the scenes he painted: fronds of bamboo arching over rivers, kite-flying and horse-racing in the Savannah, the stumpy twin turrets of the Roman Catholic cathedral.

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