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Noah's Sacrifice; Noah at right with his hands clapsed in prayer before a fire upon an altar, two men sacrificing a ram on the ground and another bringing a second ram, two men leading two cows and a camel behind the fire
Noah's Sacrifice; Noah at right with his hands clapsed in prayer before a fire upon an altar, two men sacrificing a ram on the ground and another bringing a second ram, two men leading two cows and a camel behind the fire
The Sacrifice of a Ram; naked man at right guiding a ram towards an altar pyre, hooded priest at left with a young attendant
Entry of the animals into Noah's ark, three men follow quadrupeds and birds striding toward the ark in the background, another male figure points the way
Entry of the animals into Noah's ark, three men follow quadrupeds and birds striding toward the ark in the background, another male figure points the way
Noah's sacrifice; he offers a lamb
Procession of satyrs and draped figures leading two goats and cow to sacrifice, at right the figure of Pan stands on a rocky pedestal, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
God enters into a covenant with Noah: next to a smoking pyre Noah kneels in a gesture of prayer, surrounded by members of his family, a rainbow stretches over them, from a series of engravings for the 'Liber Genesis'
Noah leaving the ark with his family and animals: at left Noah's family carries supplies, at right animals descend on a ramp from the ark, above birds fly from the ark, from a series of engravings for the 'Liber Genesis'
Noah's Sacrifice; Noah at right with his hands clapsed in prayer before a fire upon an altar, two men sacrificing a ram on the ground and another bringing a second ram, two men leading two cows and a camel behind the fire
Summary
Public domain reproduction of art print, 16th-17th century, free to use, no copyright restrictions image - Picryl description.
Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.
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Tags
marco dente
engraving
prints
marco dente 1515 1527
raphael raffaello sanzio or santi 1483 1520
two men
fire
two cows
noah s sacrifice
men
camels
cows
rams
raphael raffaello sanzio or santi
the elisha whittelsey collection the elisha whittelsey fund
after raphael
noah and
sacrifice
noah
hands
prayer
altar
ram
ground
camel
16th century
italian art
high resolution
ultra high resolution
renaissance art
italian renaissance
metropolitan museum of art
medieval art
apennine peninsula
raffaello santi
raphael
Date
1510 - 1532
in collections
Source
Metropolitan Museum of Art
Link
Copyright info
Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")