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One of the causes / Keppler. - Public domain print

description

Summary

Print shows Uncle Sam and John Bull ice skating with a young woman labeled "American Girl" skating between them.

Caption: The American girl is drawing them closer together.

Illus. from Puck, v. 44, no. 1138, (1898 December 28), cover.

Copyright 1898 by Keppler & Schwarzmann.

It wasn't really until the 1700s that caricature truly blossomed as a form of political criticism. In the late 1750s, a man named Thomas Townshend began using the techniques employed by earlier engravers and applying them towards a political model. This gave Thompson's cartoons a much greater feeling of propaganda than previous artistic critiques of the time. The intense political climate of the period, and often accusatory nature of most political cartoons forced many artists to use pseudonyms in order to avoid accusations of libel. Other artists took it a step farther, and left their cartoons completely unsigned, foregoing any credit they may have received. Political higher-ups were notoriously touchy about their reputations and were not afraid to make examples of offenders. Puck was the first successful humor magazine in the United States of colorful cartoons, caricatures and political satire of the issues of the day. It was published from 1871 until 1918.

Puck was founded by Austrian-born cartoonist Joseph Keppler and his partners as a German-language publication in 1876. Puck’s first English-language edition in 1877. The magazine name came from Shakespeare’s Midsummer Night’s Dream: “What fools these mortals be!” Puck used lithography instead of wood engraving and offered three cartoons vs. one of competitors. The cartoons were initially printed in black and white, but soon it changed into full, eye-catching color. Within a few years, Judge supplanted Puck as the leading humor magazine.

Alois Senefelder, the inventor of lithography, introduced the subject of colored lithography in 1818. Printers in other countries, such as France and England, were also started producing color prints. The first American chromolithograph—a portrait of Reverend F. W. P. Greenwood—was created by William Sharp in 1840. Chromolithographs became so popular in American culture that the era has been labeled as "chromo civilization". During the Victorian times, chromolithographs populated children's and fine arts publications, as well as advertising art, in trade cards, labels, and posters. They were also used for advertisements, popular prints, and medical or scientific books.

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Tags

uncle sam symbolic character john bull symbolic character women social life clothing and dress ice skating courtship international relations great britain cartoons commentary chromolithographs color magazine covers periodical illustrations causes keppler puck puck magazine political cartoons vintage images prints sports udo j keppler ultra high resolution high resolution united states history printed advertisement music performing arts library of congress vintage ads vintage magazines old magazines archive
date_range

Date

01/01/1898
person

Contributors

Keppler, Udo J., 1872-1956, artist
collections

in collections

The Golden Age of Political Cartoons

British and American political cartoons from 18th century.

Puck Magazine Covers

Puck was the first successful U.S. humor and colorful cartoons magazine, caricatures and political satire published from 1871 and 1918

Chromolithographs

Chromolithograph is printed by multiple applications of lithographic stones, each using a different color ink.
create

Source

Library of Congress
link

Link

http://www.loc.gov/
copyright

Copyright info

No known restrictions on publication.

label_outline Explore Ice Skating, John Bull Symbolic Character, Uncle Sam Symbolic Character

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The great exhibition of 1851 American department.

John Bull triumphant. Book illustration from Library of Congress, British Cartoon Print

[Now then, all together!] - Public domain portrait drawing

[Assignment: 59-CF-DS-11872-04] Secretary's Open Forum session on the documentary film investigating Southeast Asian sex trafficking, "Trading Women." [Panel discussion in Loy Henderson Auditorium featured the film's narrator, actress Angelina Jolie; the film's writer-director, David Feingold; Under Secretary for Global Affairs Paula Dobriansky; and Ambassador-at-Large and Director of State's Office to Monitor and Combat Trafficking in Persons, John Miller. Panelists were introduced by Open Forum Chairman William Keppler.] [Photographer: Ann Thomas--State] [59-CF-DS-11872-04_O_F_5_25_04_044.jpg]

The thick-skin variety / Kep. - Political cartoon, public domain image

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[Assignment: 59-CF-DS-11872-04] Secretary's Open Forum session on the documentary film investigating Southeast Asian sex trafficking, "Trading Women." [Panel discussion in Loy Henderson Auditorium featured the film's narrator, actress Angelina Jolie; the film's writer-director, David Feingold; Under Secretary for Global Affairs Paula Dobriansky; and Ambassador-at-Large and Director of State's Office to Monitor and Combat Trafficking in Persons, John Miller. Panelists were introduced by Open Forum Chairman William Keppler.] [Photographer: Ann Thomas--State] [59-CF-DS-11872-04_O_F_5_25_04_059.jpg]

Soapine - a big thing on ice or anywhere else

The jilted fiancée / Keppler. - Victorian era public domain image

Uncle Sam's church by John Bell Bouton

The base-ball Laocoon / L.M. Glackens.

Topics

uncle sam symbolic character john bull symbolic character women social life clothing and dress ice skating courtship international relations great britain cartoons commentary chromolithographs color magazine covers periodical illustrations causes keppler puck puck magazine political cartoons vintage images prints sports udo j keppler ultra high resolution high resolution united states history printed advertisement music performing arts library of congress vintage ads vintage magazines old magazines archive