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Picture of the Imperial Army Landing from the Rear and Capturing Port Arthur
Picture of the Imperial Army Landing from the Rear and Capturing Port Arthur
Illustration of the Second Army's Assault on Port Arthur
Illustration of the Second Army's Assault on Port Arthur
Illustration of the Second Army's Assault on Port Arthur
A general view of the King-Tse troops' barracks at Port Arthur
Illustration of the Second Army's Assault on Port Arthur
Illustration of the Second Army's Assault on Port Arthur
Illustration of the Second Army's Assault on Port Arthur
Picture of the Imperial Army Landing from the Rear and Capturing Port Arthur
Summary
Public domain photo of Japanese woodblock print (Ukiyo-e), free to use, no copyright restrictions image - Picryl description
Russo-Japanese War (1904–1905) was a military conflict in which a victorious Japan forced Russia to abandon its expansionist policy in East Asia, thereby becoming the first Asian power in modern times to defeat a European power.
Ohara Koson (1877–1945) was a Japanese painter and woodblock print designer of the late 19th and early 20th centuries, part of the shin-hanga ("new prints") movement. Ohara Koson was famous as a master of kachō-e (bird-and-flower) designs. Throughout a prolific career, in which he created around 500 prints, he went by three different titles: Ohara Hōson (小原豊邨), Ohara Shōson (小原祥邨) and Ohara Koson.