Plate 5: a woman carrying a child on a horse to left, a camel following her, a herd of goats, sheep, and a shepherd in front of her to right, a round composition, from 'Roman landscapes and ruins' (Paysages et ruines de Rome)
Summary
Public domain photo of Italian art print, 16th-17th century, free to use, no copyright restrictions image - Picryl description.
Renaissance representation of classical ruins was a symbol of antiquity, enlightenment, and lost knowledge. Ruins spoke to the passage of time. The greatest subject for ruin artists was the overgrown and crumbling Classical Rome remains. Forum and the Colosseum, Pantheon, and the Appian Way. Initially, art representations of Rome were realistic, but soon the imagination of artists took flight. Roman ruins were scattered around the city, but frustrated artists began placing them in more pleasing arrangements. Capriccio was a style of imaginary scenes of buildings and ruins.
Florentine artist Stefano Della Bella was among the best etchers of the Italian Baroque. He created about 1,050 prints and thousands of drawings. His earlier work was greatly influenced by the French Jacques Callot (1592-1635) who worked for the court of the Medici. Three of Stefano’s older brothers were artists. Della Bella probably learned etching from Remigio Cantagallina (1582/3-1656), who had been Callot’s teacher. Della Bella’s earliest prints date from around 1627. Della Bella received the patronage and a stipend from Lorenzo de’ Medici and studied in Rome. In 1639 he journeyed to Paris where Della Bella collected prints by Northern European artists, copied works by Rembrandt. He received commissions from Cardinals Richelieu and Mazarin. His prints were innovative, seeming to look forward to the Rococo. Della Bella also engraved views of Paris. He visited Amsterdam in 1647. French anti-Italian feeling during the Fronde and the death of Mazarin during the late 1640s led to della Bella’s return to Florence. Della Bella produced some of his best work after his return. Della Bella is known to have illustrated some discoveries for Galileo and depicted Hansken the famous elephant, when dead. In his final years, he produced a number of prints experimenting with tonal effects attempting to achieve drawing effects in etching. In 1661 he appears to have suffered a stroke, after which he produced little work.
- Woman on camel ruins hi-res stock photography and images - Alamy
- Shepherd sheep camel hi-res stock photography and images - Alamy
- Goats following Stock Photos and Images - Alamy
- Shepherd sheep roman ruins in Stock Photos and Images - Alamy
- 29706 Pack Horse Stock Photos & High-Res Pictures - Getty Images
- Stefano Della Bella: Twenty Pages and Five Turkish Horses
- Camel Drawings for Sale (Page #6 of 7) - Fine Art America
- Provoslav Sovák: Prager Fruhling - Dubcek Picture Color Codes
- Stoet van herders met dieren in landschap - PICRYL
- Per Kirkeby: Plate 8 Picture Color Codes - Encycolorpedia