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Related
Plate 4: Apollo; statue of the nude god standing on a socle, wearing a crown and holding a scepter in his right hand and an orb in his left; from 'Statues of Roman Gods' after Jacques Jonghelinck
Plate 1: Saturn; statue of the nude god standing on a socle, holding a scythe in his right hand and a child in his left; from 'Statues of Roman Gods' after Jacques Jonghelinck
Plate 2: Jupiter; statue of the nude god seated on an eagle, holding a double trident; from 'Statues of Roman Gods' after Jacques Jonghelinck
Plate 7: Pluto in a niche, holding a bident, with Cerberus next to him, from a series of mythological gods and goddesses
Plate 7: Pluto in a niche, holding a bident, with Cerberus next to him, from a series of mythological gods and goddesses
Plate 12: Diana standing in a niche, twisting to her left and pulling an arrow out of a quiver, with a deer to her right, from a series of mythological gods and goddesses
Plate 12: Diana standing in a niche, twisting to her left and pulling an arrow out of a quiver, with a deer to her right, from a series of mythological gods and goddesses
Plate 10: Venus in a niche, standing on a conch shell, with Cupid to her right, from a series of mythological gods and goddesses
Plate 12: Diana standing in a niche, twisting to her left and pulling an arrow out of a quiver, with a deer to her right, from a series of mythological gods and goddesses
Plate 7: Diana; statue of the nude goddess standing on a socle, wearing a crescent moon in her hair and holding a bow and arrow; from 'Statues of Roman Gods' after Jacques Jonghelinck
Summary
Public domain scan of Dutch print from Metropolitan Museum of Art, free to use, no copyright restrictions - Picryl description
Renaissance representation of classical ruins was a symbol of antiquity, enlightenment, and lost knowledge. Ruins spoke to the passage of time. The greatest subject for ruin artists was the overgrown and crumbling Classical Rome remains. Forum and the Colosseum, Pantheon, and the Appian Way. Initially, art representations of Rome were realistic, but soon the imagination of artists took flight. Roman ruins were scattered around the city, but frustrated artists began placing them in more pleasing arrangements. Capriccio was a style of imaginary scenes of buildings and ruins.
- Philips Galle | Plate 4: Apollo; statue of the nude god standing on a ...
- Philips Galle | Plate 2: Jupiter; statue of the nude god seated on an ...
- Philips Galle | Plate 7: Diana; statue of the nude goddess standing ...
- Philips Galle | Plate 1: Saturn; statue of the nude god standing on a ...
- Plate 7: Diana; statue of the nude goddess standing on a socle ...
- File:Plate 7- Diana; statue of the nude goddess standing on a socle ...
- Jacques Jongelincx Photos
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Tags
philips galle
jacques jonghelinck
engraving
prints
netherlands
philips galle 1537 1612
jacques jonghelinck 1530 1606
statue
crescent moon
roman gods
bow and arrow
diana
gift of miss helen j baker
high resolution
dutch
figure
athletic
metropolitan museum of art
medieval art
Date
1586
in collections
Source
Metropolitan Museum of Art
Link
Copyright info
Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")