Similar
William L. Antrim, Pa. German Dish, c. 1936, NGA 25082
Saucer with objects and insects on a red ground
Plate, England, American art collection
Pa. German Dish, Index of American Design
Gold-Covered Work and writing table (table en chiffonière)
Bord met het wapen van de familie Van Idsinga
Photo of Assiette aux trois ordres - Public domain dedication
Saucer-dish with fluted sides with a bouquet and foliate scrolls
Public domain photo of a 3d object, Europe, free to use, no copyright restrictions image - Picryl description
Related
Plate, 19th century - Public domain dedication photo
Plate, 19th century - Public domain dedication photo
Plate, 19th century - Public domain dedication photo
Plate, 19th century - Public domain dedication photo
Plate, 19th century - Public domain dedication photo
Plate, 19th century - Public domain dedication photo
Plate, 19th century - Public domain dedication photo
Plate, 19th century - Public domain dedication photo
Plate, 19th century - Public domain dedication photo
Plate, 19th century - Public domain dedication photo
Summary
Made in Pennsylvania, United States
Public domain photograph of earthenware ceramics object, archaeology, free to use, no copyright restrictions image - Picryl description
Public domain photograph of ceramics dish, free to use, no copyright restrictions image - Picryl description
Sgraffito (from the Italian sgraffito, "to scratch") is a technique for decorating ceramics by applying one or more layers of color and then scraping off part of the layer or layers to create patterns and emphasize texture. As early as ancient Greece, sgraffito was used to decorate pottery. Later, sgraffito spread to Italy, where it was used to decorate walls. The modern sgraffito technique is used to decorate walls indoors and outdoors, as well as to work with ceramics. The technique of making wall sgraffito is quite simple. To create a two-color sgraffito, the first layer of plaster is applied to the prepared and painted wall. The colors of the plaster and the base should be different. The plaster is then scraped off in some places, drawing a specific pattern. In this way, a two-tone pattern is created.
- Plate, 19th century, Pennsylvania, Metropolitan Museum of Art
- Attributed to John Leidy I | Plate - The Metropolitan Museum of Art
- Attributed to John Neis | Plate - The Metropolitan Museum of Art
- John Monday | Plate | American | The Metropolitan Museum of Art
- Possibly Conrad Mumbouer | Plate - The Metropolitan Museum of Art