Similar
Sonnenberg bei Wiesbaden, objectnr A 57970
Lambert-van-den-Bos-Lieuwe-van-Aitzema-Historien-onses-tyds MGG 0413
CH-NB - Grafiken Orts- und Landschaftsansichten - GS-GRAF-ANSI-BE-1750
James Thornhill - Portrait bust of a man in full-length wig - B1975.4.744 - Yale Center for British Art
Zentralbibliothek Zürich - Prospect bey Bünishoffen am Zürich See - 991026455889705501
Verstoring van een preek en de kerkvader Origenes die de catechismus onderwijst
Courier de Flandres, objectnr A 11487
Bernard Picart - Titelpagina met heren aan de studie
Constantin-rade-de-Marseille
Related
Wedding Feast of Saint Elizabeth of Hungary and Louis of Thuringia in the Wartburg, inner left wing of an altarpiece made for the Grote Kerk in Dordrecht
Saint Francis Xavier with a divine light emanating towards him from the upper left, with a crucifix, mitre, and book on a table at left
Grille de la chapelle de la Madeleine, d'époque Louis XV dans la deuxième travée du bas-côté gauche du coeur, prise vers la nef, église Saint-Gervais-Saint-Protais, 4ème arrondissement, Paris
Saint Francis of Assisi, kneeling before a crucifix with two angels at upper left
Two Biblical Scenes: The Apostles Showing Christ their Swords at left, after Raphael's Stanza della Segnatura and the Pope Celebrates Mass with Four Priests,after Raphael's Stanza di Eliodoro, from a series of 15 plates depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
The procession of the casket of St. Genevieve, with clerics and laymen marching in six rows; in the foreground the Archbishop of Paris is carried in a chair, the Chasse in the row above him, and the monks of the monasteries of Paris lead the procession at top
Saint Francis Xavier with a divine light emanating towards him from the upper left, with a crucifix, mitre, and book on a table at left
A peep into one of the courts of the convent. Showing a rude flight of steps leading to the upper chambers. On the left the summits of the belfry of the church and the minaret of the mosque may be seen.
Grille de la chapelle de la Madeleine, d'époque Louis XV dans la deuxième travée du bas-côté gauche du coeur, prise vers la nef, église Saint-Gervais-Saint-Protais, 4ème arrondissement, Paris
The altar of the holy sacrament; at left, the sacrament beneath a canopy, carried in procession and followed by the Louis XIV and Anne of Austria heading towards a largearched structure, spectators at left and right kneel in front of tapestries after Raphael
Summary
Public domain scan of 17th-18th century Italian print, free to use, no copyright restrictions image - Picryl description
Florentine artist Stefano Della Bella was among the best etchers of the Italian Baroque. He created about 1,050 prints and thousands of drawings. His earlier work was greatly influenced by the French Jacques Callot (1592-1635) who worked for the court of the Medici. Three of Stefano’s older brothers were artists. Della Bella probably learned etching from Remigio Cantagallina (1582/3-1656), who had been Callot’s teacher. Della Bella’s earliest prints date from around 1627. Della Bella received the patronage and a stipend from Lorenzo de’ Medici and studied in Rome. In 1639 he journeyed to Paris where Della Bella collected prints by Northern European artists, copied works by Rembrandt. He received commissions from Cardinals Richelieu and Mazarin. His prints were innovative, seeming to look forward to the Rococo. Della Bella also engraved views of Paris. He visited Amsterdam in 1647. French anti-Italian feeling during the Fronde and the death of Mazarin during the late 1640s led to della Bella’s return to Florence. Della Bella produced some of his best work after his return. Della Bella is known to have illustrated some discoveries for Galileo and depicted Hansken the famous elephant, when dead. In his final years, he produced a number of prints experimenting with tonal effects attempting to achieve drawing effects in etching. In 1661 he appears to have suffered a stroke, after which he produced little work.
Nothing Found.