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Hudson from Cozzens Hotel, West Point
Hudson from Cozzens Hotel, West Point
View up the Hudson. Cozzen's Hotel, West Point.
Hudson from Cozzens Hotel, West Point (Boston Public Library)
Cozzens Hotel, West Point. [Hudson River]
Hudson from Cozzens Hotel, West Point 2 (Boston Public Library)
The Hudson from West Point - Public domain image. Dry plate negative.
On the Hudson near West Point - Louis Prang company chromolithogrpah
On the Hudson River, below Roe's Hotel, West Point.
The Hudson, from Cozzen's Hotel, West Point after Eglau
Summary
Print shows a landscape view with Cozzen's Hotel at West Point, on a bluff, overlooking the Hudson River, New York, with a man and a woman sitting on rocks on the left below the hotel and sailboats and steamboats on the river.
B1151 U.S. Copyright Office.
Printed on lower right: Hudson from Cozzens Hotel, West Point.
Printed on lower right: Prang's Chromo Publishing House Boston Mass.
From the series: Prang's American Chromos : Six Views on the Hudson.
Label on verso with title and publication statements.
Publication date based on copyright statement on item.
Copyright number inscribed in pencil on verso: c. 1151B.
Copyright statement printed on lower left of recto and on label on verso.
Includes print-registration marks on all sides.
Forms part of: Popular graphic art print filing series (Library of Congress).
Alois Senefelder, the inventor of lithography, introduced the subject of colored lithography in 1818. Printers in other countries, such as France and England, were also started producing color prints. The first American chromolithograph—a portrait of Reverend F. W. P. Greenwood—was created by William Sharp in 1840. Chromolithographs became so popular in American culture that the era has been labeled as "chromo civilization". During the Victorian times, chromolithographs populated children's and fine arts publications, as well as advertising art, in trade cards, labels, and posters. They were also used for advertisements, popular prints, and medical or scientific books.
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