Related
Ruins of Ombos [Kom Ombo]. - Drawing. Public domain image.
Le couvent, avenue de l'Observatoire.
Vue du couvent des Célestins. - Musee Carnavalet Histoire de Paris
Veduta del convento bianco; Altra veduta del medesimo.
Brzezany, Blick vom Bernhardkloster.
Ostrog-Ostry. Anblick aus Koziowa.
Koum Omboû (Ombos). Vue du Grand Temple.
Blick nach Oporzec vom Beskid. - Österreichische Nationalbibliothek public domain dedication
Monastery abbey ruins, religion. A large brick building sitting on top of a lush green field
Veduta d'Ombos; Rovine d'un convento.
Summary
Public domain illustrated book page scan, related to Egypt, free to use, no copyright restrictions image - Picryl description
A veduta, plural vedute, is a highly detailed, usually large-scale painting or, more often print, of a cityscape or some other landscape. The painters of vedute are referred to as vedutisti. Veduta was introduced by northern European artists, most likely Flanders who worked in Italy, such as Paul Brill (1554–1626), a landscape painter who produced a number of marine views and scenes of Rome that were purchased by visitors. Among the most famous of the vedutisti are four Venetians. Canaletto was probably the greatest of the vedutisti, produced Venetian architecture works. Giacomo Guardi (1678–1716), Giannantonio Guardi (1699–1760), and Francesco Guardi (1712–93), also produced a great number of views of Venice. Giovanni Pannini (c. 1691–1765/68) was the first artist to concentrate on painting ruins.
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