Das kosmologische Mandala mit dem Mount Meru

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Das kosmologische Mandala mit dem Mount Meru

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Public domain photo of a rug, fabric, China, free to use, no copyright restrictions image - Picryl description.

Mandala ist eine Repräsentation des Universums und der Erleuchtung. In zweidimensionaler Form sieht es aus wie Kreise, die von einer quadratischen Zeichnung umgeben sind. Thangka und Mandala gehören beide zur visuellen Kategorie der Kunst der buddhistischen Erleuchtung. Zu den Themen der Thangkas gehören Buddhas, Bodhisattvas, Dharma-Beschützer, Meister, Mandala... Thangkas von Meditationsgottheiten dienen auch als Werkzeug zur Visualisierung während der Meditation, indem sie dem Praktizierenden helfen, sich an die verschiedenen Geisteszustände zu gewöhnen. Die Thangka-Malerei, die bis ins 7. Jahrhundert n. Chr. zurückreicht, ist eine der größten Kunstformen Asiens. Thangkas gelten als buddhistische Ikonographie, jedes Gemälde stellt symbolisch Gottheiten und Passagen dar, die auf den Lehren des Buddha beruhen.

Mandalas are Buddhist devotional images often deemed a diagram or symbol of an ideal universe. Mandalas come in many forms. Often they are painted on scrolls and taken with travelers over long distances across the Eurasian continent. Learn more about Buddhism through understanding one of its more iconic artworks. A mandala is a symbol of the universe in its ideal form, and its creation signifies the transformation of a universe of suffering into one of joy. It can also be used as an aid to meditation, helping the meditator to envision how to achieve the perfect self. Mandalas were created in the service of one of the world's great religions, Buddhism. They were produced in Tibet, India, Nepal, China, Japan, Bhutan, and Indonesia and date from the 4th century to present. Now they are created throughout the world, including New York City. A special sand mandala painting is a gift to New York City from the Tibetan Buddhist monks of Drepung Loseling Monastery as a tolken of healing and goodwill following the terrorist act against the city on September 11, 2001. The construction of the mandala begins with a ceremony in which the monks consecrate the site and call forth forces of goodness through chants, meditation, and music. Then, over the course of ten days, the monks will pour millions of grains of colored sand from traditional metal funnels (chak-purs), purifying and healing the space and its inhabitants in the process. Shortly after its completion the monks will dismantle the mandala to symbolize the impermanence of all that exists and disperse the sand in order to share its blessing.

date_range

Datum

1300 - 1368
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Quelle

Metropolitan Museum of Art
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Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")

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