"Adventures of Tarzan" / Ritchey Litho. Corp.

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"Adventures of Tarzan" / Ritchey Litho. Corp.

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Summary

Window card for motion picture "Adventures of Tarzan" shows Tarzan in scenes from the movie, fighting a lion, riding on an elephant, and fighting two men.

Caption continues: The wild animal serial supreme starring Elmo Lincoln in 15 electrifying episodes.
Produced by Great Western Producing Co. for Weiss Brothers' Numa Pictures Corp.
Picturized from the concluding chapters of "The Return of Tarzan" by Edgar Rice Burroughs.

By 1908 there were 10,000 permanent movie theaters in the U.S. alone. For the first thirty years, movies were silent, accompanied by live musicians, sound effects, and narration. Until World War I, movie screens were dominated by French and Italian studios. During Great War, the American movie industry center, "Hollywood," became the number one in the world. By the 1920s, the U.S. was producing an average of 800 feature films annually, or 82% of the global total. Hollywood's system and its publicity method, the glamourous star system provided models for all movie industries. Efficient production organization enabled mass movie production and technical sophistication but not artistic expression. In 1915, in France, a group of filmmakers began experimenting with optical and pictorial effects as well as rhythmic editing which became known as French Impressionist Cinema. In Germany, dark, hallucinatory German Expressionism put internal states of mind onscreen and influenced the emerging horror genre. The Soviet cinema was the most radically innovative. In Spain, Luis Buñuel embraced abstract surrealism and pure aestheticism. And, just like that, at about its peak time, the silent cinema era ended in 1926-1928.

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Date

01/01/1921
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Contributors

Burroughs, Edgar Rice, 1875-1950, author
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Source

Library of Congress
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Copyright info

No known restrictions on publication.

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