American troops in France passing British men resting by the roadside

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American troops in France passing British men resting by the roadside

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Columns of American troops marching along a road, France, during World War I. A long column of American troops are marching, four abreast behind an officer, along a road. They are carrying full kit and wearing steel helmets. The road lies between low-lying fields which appear to be in grass. To the left of the road a group of British soldiers are standing and sitting on a bank of earth thrown up from the drainage ditch. ..The American troops were often called the 'Doughboys'. The origin of this is traced to at least the American Civil War and possibly to the Mexican-American War of 1846-47. Some people think it may refer to the 'doughy' appearance of muddy troops, others suggest that the buttons of early uniforms were shaped like dough balls...[Original reads: 'OFFICIAL PHOTOGRAPH TAKEN ON THE BRITISH WESTERN FRONT IN FRANCE. American troops in France passing British men resting by the roadside.']..digital.nls.uk/74548742 ( http://digital.nls.uk/74548742 )

World War I (WWI or WW1), also known as the First World War, or the Great War, was a global war centred in Europe that began on 28 July 1914 and lasted until 11 November 1918. World War I Images From National Library of Schotland. These photographs form part of the papers of Field Marshal (Earl) Haig (1861-1928), held by the National Library of Scotland. More information is available from the Library's Digital Archive. Like many World War I generals, Haig remains a controversial figure. The collection contains diaries, papers and photographs from every part of Haig’s career, the Great War diaries being of special importance to historians. Photographs in the "Official Photographs" series (which were destined for publication and have captions on the back describing the image) are in black-and-white. World War I saw the development of a system of 'official’ reporting by professionals especially recruited into the forces. Initially reluctant to allow cameras near the fighting, it took some time for the authorities to appreciate the propaganda and recording potential of photography. These photographs provide us with an invaluable record of how the Government and Military wanted the war perceived. Official photographers were encouraged to record morale-boosting scenes of victory and comradeship. Despite the restrictions placed on them, official war photographers succeeded in giving the most comprehensive visual account of the war. It is important to remember that these images were propaganda; few that could depict the war in a disheartening or disconcerting way passed the censors. As a result the photograph taken was often posed. They were intended to reassure those at home and boost morale. They were printed in newspapers, and were intended to confirm that 'Tommy' was winning the war.

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1914
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National Library of Scotland
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