Betty Mack and Talmages i.e. Connie and Norma Talmadge

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Betty Mack and Talmages i.e. Connie and Norma Talmadge

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Photograph shows American silent movie star Constance Alice Talmadge (1898-1973). (Source: Flickr Commons project, 2019)
Title from data provided by the Bain News Service on the negative.
Forms part of: George Grantham Bain Collection (Library of Congress).
General information about the George Grantham Bain Collection is available at http://hdl.loc.gov/loc.pnp/pp.ggbain

Norma Talmadge was an American actress and film producer who was active during the silent and early sound film eras of the 1910s and 1920s. She was born in Jersey City, New Jersey, in 1894, and began her acting career in Hollywood in the early 1910s. Movies: "The Sign on the Door" (1921), "Secrets" (1924), "The Lady" (1925).

The height of the silent movie era (the 1910s-1920s) was a period of artistic innovation. Silent film stars had to use their faces to express every emotion — a skill that was lost on most actors when talkies replaced silent movies. Several silent stars including Wallace Beery, Shearer, Laurel and Hardy, Greta Garbo, and Janet Gaynor made a successful transition to talkies.

A random collection of portraits of people famous between 1880-1920

By 1908 there were 10,000 permanent movie theaters in the U.S. alone. For the first thirty years, movies were silent, accompanied by live musicians, sound effects, and narration. Until World War I, movie screens were dominated by French and Italian studios. During Great War, the American movie industry center, "Hollywood," became the number one in the world. By the 1920s, the U.S. was producing an average of 800 feature films annually, or 82% of the global total. Hollywood's system and its publicity method, the glamourous star system provided models for all movie industries. Efficient production organization enabled mass movie production and technical sophistication but not artistic expression. In 1915, in France, a group of filmmakers began experimenting with optical and pictorial effects as well as rhythmic editing which became known as French Impressionist Cinema. In Germany, dark, hallucinatory German Expressionism put internal states of mind onscreen and influenced the emerging horror genre. The Soviet cinema was the most radically innovative. In Spain, Luis Buñuel embraced abstract surrealism and pure aestheticism. And, just like that, at about its peak time, the silent cinema era ended in 1926-1928.

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Date

01/01/1900
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Source

Library of Congress
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No known restrictions on publication. For more information, see George Grantham Bain Collection - Rights and Restrictions Information https://www.loc.gov/rr/print/res/274_bain.html

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