Chinese - Seated Guanyin (Kuan-yin) Bodhisattva - Walters 25256 - Detail E

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Chinese - Seated Guanyin (Kuan-yin) Bodhisattva - Walters 25256 - Detail E

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Summary

This late Ming dynasty dry-lacquer sculpture is an image of the bodhisattva Guanyin, an enlightened being venerated in Chinese Buddhism as an embodiment of compassion. Called a "Water-moon Guanyin" or "Guanyin sitting in Royal Ease," this theme and its iconography derive from textual inspiration found in the Avatamsaka Sutra (the central text of the Hua-yen school of Buddhism), and indigenous Chinese traditions. The dry lacquer technique was popular, but examples of this size and degree of refinement are rare.

The Bodhisattva Guanyin is a revered figure in Mahayana Buddhism, particularly in China and East Asia. Also known as Avalokitesvara, Guanyin is a bodhisattva, which means an enlightened being who has chosen to postpone her own entry into nirvana (the ultimate state of liberation) in order to help others achieve enlightenment. Guanyin is often depicted as a female figure, although in some traditions Guanyin is seen as genderless or male. She is associated with compassion, mercy and kindness, and is believed to hear the cries of those in need and offer assistance. In Chinese Buddhism, Guanyin is often depicted holding a vase of pure water, representing the purity of her compassion and her ability to purify the suffering of others. She is also sometimes depicted with a thousand arms, each holding a different object or performing a different action, symbolising her ability to reach out and help many people at once. Guanyin is a popular figure in East Asian culture and is often worshipped by people seeking comfort, healing and protection. Her image can be found in temples, homes and other places of worship throughout China, Japan, Korea and other parts of Asia.

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Date

2016
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Source

Walters Art Museum
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http://purl.org/thewalters/rights/standard

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