Greuze (1907) (14581289070) - Public domain  painting

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Greuze (1907) (14581289070) - Public domain painting

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Identifier: greuzemack00mack (find matches)
Title: Greuze
Year: 1907 (1900s)
Authors: Macklin, Alys Eyre
Subjects: Greuze, Jean Baptiste, 1725-1805
Publisher: London, T.C. (and) E.C. Jack
Contributing Library: Robarts - University of Toronto
Digitizing Sponsor: University of Toronto



Text Appearing Before Image:
ithskill. The pictures of his friends Pigalleand Sylvestre, and an excellent one of theengraver Wille, whose prints, advertisements, ;and praises did so much to extend the Greuzecult, are well known; and in the vogue thatfollowed his first success, he received com-missions to paint the Dauphin and otherimportant personages. In spite of its dullcolour, the portrait of the painter Jeaurat,now in the Louvre, is an interesting pieceof work, showing characterisation, the bril-liant eyes giving the impression of a man PLATE v.—LOISEAU MORT LOiseau Mort, or The Dead Bird, bequeathed by BaronArthur de Rothschild to the Louvre, shows one of Greuzes mostbeautiful child-figures, a little girl who has just found her birddead. You forget the mannered pose of the hands and arms,to admire their curves and dimples. The delicacy of the littlegrieving face is beyond praise, with the tears starting beneaththe downcast lashes, and a mouth that seems to quiver underthe stir of shadow that plays round it
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i GREUZE 41 accustomed to observe closely and see most w-viethings. But naturally Greuze was at his bestwhea he painted women. Very beautiful isthe picture of the Marquise de Chauvelin, atpresent in the collection of Baron Alphonsede Rothschild, and some of his portraits ofhis wife justly caused a sensation. To turn for a moment from the artist tothe man, it goes without saying that oneso sensitive to the beauty of woman musthave been susceptible to her influence, andGreuzes numerous heart-histories are all themore interesting in that they are as credit-able to his chivalry as they are romantic.His first grande passion was his boyish lovefor the wife of his master Grandon at Lyons,a woman with grown-up daughters. Henursed this adoration in silence, and it wasone of the idoFs daughters who afterwardstold how she once surprised the love-sickyouth passionately kissing one of hermothers shoes he had found under a table. . 42 GREUZE Later, when he went to Italy with IAbbeGougenot, there wa

Born in Tournus, Burgundy, France, Greuze began his artistic training in Lyon before moving to Paris to study with Charles-Joseph Natoire. He gained recognition for his genre scenes, which depicted everyday life in a sentimental and moralising way. One of his most famous works is The Village Bride, which shows a young bride being comforted by her mother as she prepares to leave home. The painting has been praised for its emotional intensity and realism. Greuze also painted portraits of famous people such as King Louis XVI and Marie Antoinette, as well as historical scenes such as "Septimius Severus and Caracalla" and "The Death of Seneca". Despite his success, Greuze fell out of favour with the art establishment in his later years and struggled financially. He died in Paris in 1805. Today, Greuze is remembered as one of the leading artists of the 18th-century French Rococo movement, known for his sensitive depictions of human emotion and his ability to capture the nuances of everyday life.

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1907
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18th century oil paintings of girls at half length
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