L'Annonciation de la Ste. Vierge (The Annunciation of the Virgin), March 25th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year)

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L'Annonciation de la Ste. Vierge (The Annunciation of the Virgin), March 25th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year)

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Public domain photo of French art print, 18th century, free to use, no copyright restrictions image - Picryl description.

The Annunciation is a biblical event in which the angel Gabriel appeared to the Virgin Mary to announce that she had been chosen to give birth to Jesus, the Son of God. The event is recorded in the New Testament in the Gospels of Luke and is a central moment in the story of the Nativity of Jesus. The scene typically depicts Mary and Gabriel, who is usually shown holding a lily, a symbol of purity, and announcing the news of the birth of Jesus to Mary.

Jacques Callot was born in Nancy, Lorraine, now France. He came from an aristocratic family and he writes about his noble status in his print inscriptions. He learned engraving in Rome from an expatriate Frenchman, Philippe Thomassin, and probably, from Antonio Tempesta in Florence where he started to work for the Medici. In 1621, he returned to Nancy where he lived for the rest of his life. Although he remained in Nancy, his prints were distributed through Europe. He developed several technical innovations that enabled etching lines to be etched more smoothly and deeply. Now etchers could do the very detailed work that was previously the monopoly of engravers, and Callot made good use of the new techniques. His multiple innovations also achieved unprecedented subtlety in the effects of distance and light even his prints were relatively small – as much as about six inches or 15 cm on their longest dimension. His most famous prints are his two series of prints each on "the Miseries and Misfortunes of War". These images show soldiers pillaging and burning their way through towns before being arrested and executed by their superiors, lynched by peasants, or surviving to live as crippled beggars.

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Date

1636
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Source

Metropolitan Museum of Art
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Copyright info

Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")

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