迎接曼荼羅  掛幅一幅  絹本著色|Descent and Return of Amida to Western Paradise with a Believer's Soul (Gōshō mandara)

Similar

迎接曼荼羅 掛幅一幅 絹本著色|Descent and Return of Amida to Western Paradise with a Believer's Soul (Gōshō mandara)

description

Summary

Public domain photo of Asian art painting, 16th-17th century, free to use, no copyright restrictions image - Picryl description.

Mandala is a representation of the universe and of enlightenment. In two-dimensional form, it looks as circles enclosed in squares drawing. Thangka and Mandala both belong to the visual category of the art of Buddhist enlightenment. Topics of thangkas include Buddhas, bodhisattvas, Dharma protectors, masters, mandala... Thangkas of meditation deities also serve as a tool for visualization during meditation, by helping the practitioner getting used to the different states of the mind. Dating back to the 7th century A.D, thangka painting is one of the greatest art forms of Asia. Thangkas are considered Buddhist iconography, each painting will symbolically represent divinities and passages based on the teachings of the Buddha.

date_range

Date

1290 - 1310
create

Source

Metropolitan Museum of Art
copyright

Copyright info

Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")

Explore more

asian art
asian art