Outside an Advance Dressing Station near the line, Flanders

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Outside an Advance Dressing Station near the line, Flanders

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The top of the photograph is dominated by the remaining shell of a fairly tall town house. The shutter anchors and some of the plaster work can still be seen. The bottom of the photograph is equally dominated by a huge mound of rubble right in front of the photographer. In the middle of this three soldiers are chatting to each other and looking at the camera. Two of the soldiers are sitting on separate mounds of rubble, while the third is standing looking at the entrance to the station. He is also wearing a kilt. The entrance to the station is marked by a tiny arrow to the left of the image. ..Dressing stations were really just First Aid points. It was here that soldiers with minor injuries were patched up and sent back out to fight. If they were thought unfit then they could be sent to casualty clearing stations...[Original reads: 'OFFICIAL PHOTOGRAPHS TAKEN ON THE BRITISH WESTERN FRONT. Outside an Advance Dressing Station near the line.']..digital.nls.uk/74547180 ( http://digital.nls.uk/74547180 )

World War I (WWI or WW1), also known as the First World War, or the Great War, was a global war centred in Europe that began on 28 July 1914 and lasted until 11 November 1918. World War I Images From National Library of Schotland. These photographs form part of the papers of Field Marshal (Earl) Haig (1861-1928), held by the National Library of Scotland. More information is available from the Library's Digital Archive. Like many World War I generals, Haig remains a controversial figure. The collection contains diaries, papers and photographs from every part of Haig’s career, the Great War diaries being of special importance to historians. Photographs in the "Official Photographs" series (which were destined for publication and have captions on the back describing the image) are in black-and-white. World War I saw the development of a system of 'official’ reporting by professionals especially recruited into the forces. Initially reluctant to allow cameras near the fighting, it took some time for the authorities to appreciate the propaganda and recording potential of photography. These photographs provide us with an invaluable record of how the Government and Military wanted the war perceived. Official photographers were encouraged to record morale-boosting scenes of victory and comradeship. Despite the restrictions placed on them, official war photographers succeeded in giving the most comprehensive visual account of the war. It is important to remember that these images were propaganda; few that could depict the war in a disheartening or disconcerting way passed the censors. As a result the photograph taken was often posed. They were intended to reassure those at home and boost morale. They were printed in newspapers, and were intended to confirm that 'Tommy' was winning the war.

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Date

1914
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National Library of Scotland
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