Pharoah's fat kine - pharoah's lean kine / IC., British Cartoon Print

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Pharoah's fat kine - pharoah's lean kine / IC., British Cartoon Print

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Summary

Print shows, on the left, in England, two corpulent, jovial men and an equally rotund woman providing them with drink, possibly sherry, and on the right, in France, two listless, thin, bony women sitting on sofas and an equally emaciated man standing before them, about to lose his wig to a bird on a cage overhead. A contrast between the health of the two nations, in particular, how Napoleon's Egyptian campaign is having an adverse affect on France.

Forms part of: British Cartoon Prints Collection (Library of Congress).

It wasn't really until the 1700s that caricature truly blossomed as a form of political criticism. In the late 1750s, a man named Thomas Townshend began using the techniques employed by earlier engravers and applying them towards a political model. This gave Thompson's cartoons a much greater feeling of propaganda than previous artistic critiques of the time. The intense political climate of the period, and often accusatory nature of most political cartoons forced many artists to use pseudonyms in order to avoid accusations of libel. Other artists took it a step farther, and left their cartoons completely unsigned, foregoing any credit they may have received. Political higher-ups were notoriously touchy about their reputations and were not afraid to make examples of offenders. Puck was the first successful humor magazine in the United States of colorful cartoons, caricatures and political satire of the issues of the day. It was published from 1871 until 1918.

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Date

01/01/1803
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Contributors

Cruikshank, Isaac, 1756?-1811?, artist
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Source

Library of Congress
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Copyright info

No known restrictions on publication.

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