Plattegrond van de versterkingen van Rijsel en de citadel, 1708

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Plattegrond van de versterkingen van Rijsel en de citadel, 1708

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Plattegrond van de versterkingen om de stad Rijsel (Lille) met de citadel, belegerd vanaf 22 augustus 1708 door de Geallieerden onder prins Eugenius van Savoye en ingenomen op 23 oktober, het kasteel werd op 8 december veroverd. Linksonder de titelcartouche met legenda A-Q. Rechtsonder een cartouche met de opdracht aan de prins van Savoye, zijn wapen en een schaalstok: Eschelle de 400 Toises.

Jacobus Harrewijn (1660, Amsterdam – 1727, Brussels) was an engraver active in the Southern Netherlands. Married in 1682 in Amsterdam, he joined the Antwerp Guild in 1688. He remarried in 1689 in Deurne and is known to have worked in Brussels from 1695 to 1714.

Since the 16th century, Dutch artists used prints to promote their art and access a wider public than what was possible for a single painting. During the Dutch Golden Age, (17th century), Dutch artists perfected the techniques of etching and engraving. The rise of printmaking in the Netherlands is attributed to a connection between Italy and the Netherlands during the 1500s. Together with the large-scale production, it allowed the expanding reach of an artist’s work. Prints were popular as collecting items, so publishing houses commissioned artists to create a drawing or a painting, and then print the work for collectors - similar to what occurs at publishing houses today. Dutch printmaking evolved rapidly, so in 16th-century etching prevailed over the engraving. Major Dutch Printmaker Artists: Hieronymus Bosch, Pieter Bruegel the Elder, Hendrick Goltzius, Rembrandt van Rijn, Anna Maria van Schurman, Adriaen Jansz van Ostade, Ferdinand Bol.

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1709
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Rijksmuseum
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Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")

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