Ruines de la Commune 1871. Théâtre Lyrique incendié, vue intérieure de la Salle, 1er arrondissement, Paris.

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Ruines de la Commune 1871. Théâtre Lyrique incendié, vue intérieure de la Salle, 1er arrondissement, Paris.

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LE THEATRE LYRIQUE INCENDIE Vue intérieure de la Salle (Nº36) (Inscribed title), Les ruines de Paris (Serie's title)
Inscription concernant l'auteur - Au recto, sur le carton en bas à gauche, imprimé à l'encre noire : "A. Liebert. Photo." et à droite : "81. Rue St Lazare". \ Inscription à l'encre
Inscription concernant le titre - Au recto, sur le carton en bas au centre, imprimé à l'encre noire : "LE THEATRE LYRIQUE INCENDIE / Vue intérieure de la Salle / (Nº36)". \ Inscription à l'encre
Tampon - Au recto, sur le carton en bas à droite, tampon rouge : "VILLE / DE / PARIS" (cf. Lugt suppl. 2012c). \ Inscription à l'encre
Ruines de la Commune 1871. Théâtre Lyrique incendié, vue intérieure de la salle, 1er arrondissement. Au premier plan des gravas et des fils qui tombent. A l'arrière-plan les loges en ruines.Photographie publiée dans l'album « Les ruines de Paris et de ses environs, 1870-1871 » / cent photographies par A. Liébert ; texte par Alfred d' Aunay avec la légende suivante "LE THEATRE LYRIQUE INCENDIE / Vue intérieure de la Salle / (Nº36)"

Alphonse J. Liebert began his career as a photographer in the early 1850s, working primarily in the daguerreotype process. He quickly gained a reputation for his skill and artistry, and his work was exhibited at the Paris Universal Exposition of 1855. In the years that followed, Liebert continued to refine his craft and experiment with new photographic techniques. He was an early adopter of the wet plate collodion process, which allowed for more detailed and nuanced images than the daguerreotype. Liebert's portraits were particularly renowned for their sensitivity and emotional depth. He had a talent for capturing the unique personalities and inner lives of his subjects, whether they were wealthy aristocrats or humble workers. In addition to his portraiture work, Liebert also produced a significant body of landscape and architectural photography. He traveled extensively throughout France, documenting its stunning natural beauty and historic landmarks. Liebert continued to work as a photographer well into his old age, and he died in 1913 at the age of 86. Today, his photographs are highly prized by collectors and art enthusiasts around the world, and his legacy as one of France's greatest photographers remains secure.

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1871
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Musée Carnavalet - Histoire de Paris
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