S. Marc, évangéliste (St. Mark, Evangelist), April 25th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year)

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S. Marc, évangéliste (St. Mark, Evangelist), April 25th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year)

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Public domain photograph of portrait art print, 17th century, free to use, no copyright restrictions image - Picryl description

St. Mark was a disciple of St. Peter and is believed to have accompanied him on his missionary journeys. According to tradition, he was the first bishop of Alexandria and was martyred for his faith. He is remembered for his contribution to the spreading of the Christian message and is honored as one of the Four Evangelists.

The depiction of St. Mark with his symbol the lion is a popular subject in Christian art, St. Mark is often shown holding a book or scroll, representing the Gospel of Mark, with the lion at his side.

Jacques Callot was born in Nancy, Lorraine, now France. He came from an aristocratic family and he writes about his noble status in his print inscriptions. He learned engraving in Rome from an expatriate Frenchman, Philippe Thomassin, and probably, from Antonio Tempesta in Florence where he started to work for the Medici. In 1621, he returned to Nancy where he lived for the rest of his life. Although he remained in Nancy, his prints were distributed through Europe. He developed several technical innovations that enabled etching lines to be etched more smoothly and deeply. Now etchers could do the very detailed work that was previously the monopoly of engravers, and Callot made good use of the new techniques. His multiple innovations also achieved unprecedented subtlety in the effects of distance and light even his prints were relatively small – as much as about six inches or 15 cm on their longest dimension. His most famous prints are his two series of prints each on "the Miseries and Misfortunes of War". These images show soldiers pillaging and burning their way through towns before being arrested and executed by their superiors, lynched by peasants, or surviving to live as crippled beggars.

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Date

1636
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Source

Metropolitan Museum of Art
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Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")

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