The American annual of photography (1911) (14596805897)

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The American annual of photography (1911) (14596805897)

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Identifier: americanannualof1911newy (find matches)
Title: The American annual of photography
Year: 1911 (1910s)
Authors:
Subjects: Photography
Publisher: New York : Tennant and Ward
Contributing Library: Harold B. Lee Library
Digitizing Sponsor: Brigham Young University



Text Appearing Before Image:
here and there, adding depthand shade on sea waves, noting effect after each touch. Youwill not be able to add to sky. This must be finished in oneoperation, so, if cloud effects are desired, they must be put inwhile paint is wet. After dabbing, take piece of leather, rollup, with broader end than for picking out, take sweeps in acircular up and down direction, according to class of clcuddesired, then dab color even again and nearly up to the edgeswhere you have wiped out clouds. If boats, ships, or any landjut on the horizon, you may now add crimson lake and burntsienna to boat, brown pink on sails—which should have beenwiped free from the blue first color—a purple, obtained fromblue and lake, to land Ime; stove and retouch again, and slidemay be considered complete. If you find you do not succeedat first attempts, take piece of common chamois leather, dipinto turpentine and wash off paint from slide, which, if com-mercial, will be none the worse, but if gelatine, care must be 68
Text Appearing After Image:
o CO O <in Q m 5u taken not to scratch the surface, as the paint will fill upscratches and show on screen. Do not use rags or inien, asfluff therefrom gets on the palette and renders tne colorslinty. In all operations use only chamois leather. Havingsucceeded in painting a seascape, the simplest subject to try,we will now attempt a landscape. If sky is shown, treat this in the same manner as for theseascape for the simple work; then wipe out all the blue colorfrom foliage, etc., which treat with a coat cf burnt sienna,wipe out any objects such as sheep and houses, tigures, etc.,then stove. For second coat, mix a few green tints on palette,as blue and burnt sienna and blue and brown pink, blue andItalian pink; dab with brush onto foliage here and there, someof the foliage treat with another coat of burnt sienna (^au-tumnal tints) dabbed on, lighten up here and there with Italianpink only; for tree trunks use Chinese orange and burnt sien-na. Shadows made with purple (crimson lake an

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