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The botanical atlas (Plate X) (7163902771)
Summary
PHANEROGAMS
BIRCH, HAZEL, OAK, AND WILLOW
PLATE X.
FiglMale & Female
Inflorescence of Burn
Fig. 2 Scale detached 7 Fig. 5 Female Flowers
.b)jnmr v^ Fig. 3 'Male Flower Fig. 4 Stamen with forMFlament
DIAGRAM Wim of Timers of Birch.
a MaJe
• B rae.t a
l. female
^
,. '
Primary Bract "
■Tangle. Tlo»vs
Fanale
In/lortscnre
(a,, Male.
o
Flwi of Flowers of Alder Fig BFrwtTuTged FiglYejtaaTs^ction of Fruit
o , remale. " ..' .j
\
Fig. 8 Ma f.& Female
Inflorescence, of Hazel
Tertiary Bracts'..
Seeondan .,
/w,~ ■ - HAZEL
Iig.10 Inner view of Scale magnified
'emaL- Inflorescence
Fig 9 Scale detached inner view
Figll Stamen witfi forked Filament.
Fig.Tl 'Male ■^Female
Irfmrescence of Oak
Figl2 Female Inflorescence enlarged Fig.l4Female Mower
Fig '13. Feme. Bract inner view^
Primary Bract
Bracteole
Figlo Fruit witii shell cut through
Fig 16 Seed Vertical Section
DIAGRAM HL Plan of Flower
(a) Male. (I) Fanale
Tertian;.- Bracts
Secondary .
Primary
Shell
Fibrous Coral
Tladich
Plumule
Stalk or Petiole,
of Cotyledon
Cotyledon.
A K
Fig. 20 Yertical Section of same enlarged
Stiama,
FigBMakFtower F & 29 Femnk Fbwer
enlarged.
^- : * Bract
iflfe
Ovules
Fig. 23 Male Inflorescence ofWdlow
WILLOW
Fig. 25 Female Inflorescence
aw
2d Female Flower
Stigma.
24 Male Flower
Stamens
c
ract
Disc
Disc
Fig n Fruit of Oak
Remains of Stigma
Fig. 28 Seed with Earns
Nut
Cupide oCover hipping
Scalv Bracts
Fig. 22 Seed
j^Eadical
.fbanule
Cotyledon
Engraved, Printed and Published "by W! k ATT Johnston, Edmbmrg
This large AI-assisted collection comprises about 60,000 images of botanical drawings and illustrations. It spans from the 14th to 19th century. As of today, we estimate the total number of botanical illustrations in our archive as 200,000 and growing. The "golden age" of botanical illustration is generally considered to be the 18th and 19th centuries, a time when there was a great deal of interest in botany and a proliferation of botanical illustrations being produced. During this period, many of the great botanical illustrators of the time, such as Maria Sybilla Merian, Pierre-Joseph Redouté, and John James Audubon, were active and produced some of the most iconic and influential botanical illustrations of all time. In addition to being used for scientific purposes, botanical illustrations were also highly prized for their beauty and were often used to decorate homes and other public spaces. Many of the most famous botanical illustrations from this period are still admired and collected today for their beauty and historical significance. All large Picryl collections were made possible with the development of neural image recognition. We made our best to reduce false-positive image recognition to under 5%.
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