The Inferno according to Dante; in the centre Lucifer who holds damned souls and in his talons seven kings, surrounded by damned souls being tortured by devils, after a fresco in the Campo Santo, Pisa

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The Inferno according to Dante; in the centre Lucifer who holds damned souls and in his talons seven kings, surrounded by damned souls being tortured by devils, after a fresco in the Campo Santo, Pisa

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Summary

Public domain photo of Italian art print, 16th-17th century, free to use, no copyright restrictions image - Picryl description.

Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.

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Date

1460 - 1479
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Source

Metropolitan Museum of Art
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Public Domain Dedication (CC0)

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