Similar
Chinese or Tartar kings who gained their thrones by foreign help (6125039098)
"The Concourse of the Birds", Folio 11r from a Mantiq al-tair (Language of the Birds)
Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz
Same as preceding [= Pot Marjoram , ajayîrâtûn?][top]; Vervain (Verbena sp.), firîstîriyyûn [!] (Gr. Peristerion), i.e., ray al-hamâm, "pigeon's pasture". The Arabic and Greek names refer to the doves that are attracted by this plant [bottom], fol. 196
Sowthistle (Sonchus oleraceus; Sonchus arvensis), sûnhus [!] [top]; Garden endive (Chicorium endivia), hindabah bustânîyah [broadleaf variety and narrowly leafed and bitter] [bottom], fol. 102v
Muhammad ibn Muhammad Shakir Ruzmah-'i Nathani - A Bird Called Shafatin, a Green Magpie, and a Singing Bird - Walters W659130B - Full Page
Muhammad ibn Muhammad Shakir Ruzmah-'i Nathani - A Lemon Tree - Walters W659217A - Full Page
Amir Khusraw Dihlavi - Leaf from Five Poems (Quintet) - Walters W62479A - Full Page
Breadroot, scurfy-pea (Psoralea bituminosa), trîfûllûn [n.p.], fol. 160
Related
Little Stonecrop (Sedum ochroleucum), hayy al-'âlam al-asghar [top]; Unlabeled but probably Starry Stonecrop (Sedum stellatum) [margin]; Lady's Navel, [etc.] (Umbilicus rupestris), qûtûlîdûna [!] [b.r.]; Sawtooth Helleborine (Epipactis latifolia) [b. left], fol. 209
Dodder (Cuscuta epithymum), afithîmûna [!]: growing on a tree [top right]; growing on a plant [top left]; Globe Daisy (Globular alypum), âlûffûn [!] (Gr: alupon). Image might be questioned [bottom], fol. 241v
Anagyris (Anagyris foetida), anâjûrûn [top]; Stonecrop (Sedum cepaea), qî'ihâ'â [!n.p.] [bottom], fol. 174
Rough bindweed (Smilax aspera), lûbiyâs [top]; Lucern (Medicago sativa), ratbah [middle]; Tare, yellow vetch (Lathyrus aphaca), afâqî [bottom], fol. 106v
Sickle Spurge (Euphorbia falcata), fahfalûs [!] [top]; Petty Spurge, Hyssop Spurge (Euphorbia peplis), fahfalîs [!] [bottom], fol. 237
Tamarisk tree (Tamarix gallica; Myrrhis odorata), shajar al-tarfâ'. Two varieties are shown [top]; Erica (Erica herbacea/arborea), harîqî. Two varieties are shown [bottom], fol. 49v
Poterium (Astragalus creticus), fûtîrdiyûn [n.p.]* [top]; Arcanthium (Onopordum illyricum), al-shawkah al-yâhûdîyah [n.p.] [middle]; Spiny acanthus (Acanthus spinosus), aqânthûs [n.p] [bottom], fol. 126v
Sarcocolla (Penaea sarcocolla), sârqûqûlâs [n.p.] [top]; Horned poppy (Glaucium corniculatum; Glaucium flavum), jlâwuqiyûn [n.p.]. Two varieties are shown [bottom], fol. 153
Hawthorn (Crataegus oxyacantha), ûlsâqâniyyûn [!] [top] right]; Dog's bush (Rosa canina), 'ullayq al-kalb [top left]; Henna shrub (Lawsonia inermis), shajarat al-hinnâ [bottom], fol. 51
Yellow Stonecrop, Little Stonecrop (Sedum acre), amfitrun. Image might be questioned [top]; Evergreen Clematis (Clematis cirrhosa), qlîmâtîs [n.p.]. Image might be questioned [bottom], fol. 242
Summary
Public domain image related to botany, botanical artwork, free to use, no copyright restrictions image - Picryl description
This large AI-assisted collection comprises about 60,000 images of botanical drawings and illustrations. It spans from the 14th to 19th century. As of today, we estimate the total number of botanical illustrations in our archive as 200,000 and growing. The "golden age" of botanical illustration is generally considered to be the 18th and 19th centuries, a time when there was a great deal of interest in botany and a proliferation of botanical illustrations being produced. During this period, many of the great botanical illustrators of the time, such as Maria Sybilla Merian, Pierre-Joseph Redouté, and John James Audubon, were active and produced some of the most iconic and influential botanical illustrations of all time. In addition to being used for scientific purposes, botanical illustrations were also highly prized for their beauty and were often used to decorate homes and other public spaces. Many of the most famous botanical illustrations from this period are still admired and collected today for their beauty and historical significance. All large Picryl collections were made possible with the development of neural image recognition. We made our best to reduce false-positive image recognition to under 5%.